Helmed by Portishead co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is broken Britain embodied: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The central theme – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Poacher arrives, enraged after David kills his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Poacher denying his container of scrumpy, determined to dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
Just a single important plot development, but it leads to a hilariously staged chaotic run on the forest trails that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film is in British and Irish cinemas from November 17.
